

Air's Head of Content on taking risks in SaaS with viral OnlyFans star campaign
Mar 26, 2025
Paramark News Desk

Source: Air
Key Points
Air's Head of Content Ariel Rubin discusses his mega viral "Drop that Box" campaign featuring OnlyFans star Bonnie Blue.
The 'creative ops' collaborative visual asset management platform competes with legacy giants like Google Drive and Dropbox.
If you're in B2B SaaS, the most boring sh*t alive, you need to try to win because you're going to get your lunch eaten by f*ing AI.

Ariel Rubin
Head of Content
,
Air
B2B SaaS marketing doesn’t usually stick in people’s memories as being overly funny, sexy, or provocative. Most tools play a function in people’s lives, and the relationship stops there. Therefore, creating a lasting emotional connection with audiences can be a near impossible feat. But for companies challenging industry giants, playing it safe isn't an option.
Ariel Rubin, Head of Content at Air, has a straightforward philosophy when it comes to marketing campaigns: "You have two choices. You can pearl clutch and say, 'I don't like this, I don't want to do that.' If you're in B2B SaaS, the most boring sh*t alive, you need to try to win because you're going to get your lunch eaten by f*ing AI." Air is a collaborative visual workspace that optimizes how teams collect, approve, and share content – and is punching up as a relative newcomer against longstanding asset management platforms like Dropbox and Google Drive.
The challenge at hand: "The reality is that standing out in a crowd of cloud storage tools is not usually easy, nor is it terribly compelling to 98% of the people on the Internet," Rubin explains.
For Air, which recently secured a $35 million Series B funding round in January, the answer lies in creating memorable, relatable content that resonates with their target audience—creative teams.
"If we're going to get creative people to care about our product, we have to make great, compelling creative content," adds Rubin. "We can't just barrage them with Meta ads and LinkedIn ads and search terms. We want to have a brand that sees them where they are, that shows them we understand it's hard to make great creative content, and that making great creative content means taking risks."
If we're going to get creative people to care about our product, we have to make great, compelling creative content. We can't just barrage them with Meta ads and LinkedIn ads and search terms. We want to have a brand that sees them where they are.

Ariel Rubin
Head of Content
,
Air
Taking Bold Risks: "I'm fortunate to work at a company where we really value taking risks," Rubin says. "We’ve used organic and content campaigns over the last three years to really build our brand. We know that a great story can reach a lot of people, and we also know that, as many marketers know, having a good enemy often makes a more compelling story or at least something more fun for people to engage with."
Air positions itself as creating the first creative operations system for creative teams and marketers, directly challenging established players like Dropbox and Google Drive. The impetus for one of their boldest campaigns, Drop that Box featuring OnlyFans star Bonnie Blue, aims to help keep creative teams from "getting screwed".
"There's an old way of working in files that tools like Dropbox and Google Drive use," Rubin asserts. "These are tools that were built for file management 15 years ago and haven't really been updated for the way that creative teams operate today—decentralized, often remote, and frankly creating a lot more content than we ever probably could have imagined."
Criticism welcomed: After taking the risk and putting their idea out there, the campaign has gone on to be Air’s most successful to date, generating an unprecedented amount of website visits, social media interaction, engagement, and media coverage.
With so much conversation generated, polarized responses naturally come up. In Rubin’s eyes this isn’t something to fear, rather, it should be welcomed: "I love hearing people say 'I hated it and this is why' and I love people defending it like, 'This is brilliant. Here's why.' I don't think there's a right answer here. The people that hate it are totally legit and totally valid in hating it. It's really not for everyone. But we're trying to spark conversation with creativity. So that to me is the metric of success."
Executive buy-in: When asked about securing executive support for creative campaigns, Rubin is uncompromising: "I would not waste six months of my life trying to build stakeholder trust through small campaigns and experimentation. The answer would be, I would quit."
He emphasizes that playing it safe leads nowhere. "If you're in your little gated castle and you're like, 'It's cool, I'm just doing these LinkedIn posts once a week about product'—again, that's fine, but you're not going to win and you're not going to build a brand that stands the test of time."
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Air's Head of Content on taking risks in SaaS with viral OnlyFans star campaign
Mar 26, 2025
Paramark News Desk

Source: Air
Key Points
Air's Head of Content Ariel Rubin discusses his mega viral "Drop that Box" campaign featuring OnlyFans star Bonnie Blue.
The 'creative ops' collaborative visual asset management platform competes with legacy giants like Google Drive and Dropbox.
If you're in B2B SaaS, the most boring sh*t alive, you need to try to win because you're going to get your lunch eaten by f*ing AI.

Ariel Rubin
Head of Content
,
Air
B2B SaaS marketing doesn’t usually stick in people’s memories as being overly funny, sexy, or provocative. Most tools play a function in people’s lives, and the relationship stops there. Therefore, creating a lasting emotional connection with audiences can be a near impossible feat. But for companies challenging industry giants, playing it safe isn't an option.
Ariel Rubin, Head of Content at Air, has a straightforward philosophy when it comes to marketing campaigns: "You have two choices. You can pearl clutch and say, 'I don't like this, I don't want to do that.' If you're in B2B SaaS, the most boring sh*t alive, you need to try to win because you're going to get your lunch eaten by f*ing AI." Air is a collaborative visual workspace that optimizes how teams collect, approve, and share content – and is punching up as a relative newcomer against longstanding asset management platforms like Dropbox and Google Drive.
The challenge at hand: "The reality is that standing out in a crowd of cloud storage tools is not usually easy, nor is it terribly compelling to 98% of the people on the Internet," Rubin explains.
For Air, which recently secured a $35 million Series B funding round in January, the answer lies in creating memorable, relatable content that resonates with their target audience—creative teams.
"If we're going to get creative people to care about our product, we have to make great, compelling creative content," adds Rubin. "We can't just barrage them with Meta ads and LinkedIn ads and search terms. We want to have a brand that sees them where they are, that shows them we understand it's hard to make great creative content, and that making great creative content means taking risks."
If we're going to get creative people to care about our product, we have to make great, compelling creative content. We can't just barrage them with Meta ads and LinkedIn ads and search terms. We want to have a brand that sees them where they are.

Ariel Rubin
Head of Content
,
Air
Taking Bold Risks: "I'm fortunate to work at a company where we really value taking risks," Rubin says. "We’ve used organic and content campaigns over the last three years to really build our brand. We know that a great story can reach a lot of people, and we also know that, as many marketers know, having a good enemy often makes a more compelling story or at least something more fun for people to engage with."
Air positions itself as creating the first creative operations system for creative teams and marketers, directly challenging established players like Dropbox and Google Drive. The impetus for one of their boldest campaigns, Drop that Box featuring OnlyFans star Bonnie Blue, aims to help keep creative teams from "getting screwed".
"There's an old way of working in files that tools like Dropbox and Google Drive use," Rubin asserts. "These are tools that were built for file management 15 years ago and haven't really been updated for the way that creative teams operate today—decentralized, often remote, and frankly creating a lot more content than we ever probably could have imagined."
Criticism welcomed: After taking the risk and putting their idea out there, the campaign has gone on to be Air’s most successful to date, generating an unprecedented amount of website visits, social media interaction, engagement, and media coverage.
With so much conversation generated, polarized responses naturally come up. In Rubin’s eyes this isn’t something to fear, rather, it should be welcomed: "I love hearing people say 'I hated it and this is why' and I love people defending it like, 'This is brilliant. Here's why.' I don't think there's a right answer here. The people that hate it are totally legit and totally valid in hating it. It's really not for everyone. But we're trying to spark conversation with creativity. So that to me is the metric of success."
Executive buy-in: When asked about securing executive support for creative campaigns, Rubin is uncompromising: "I would not waste six months of my life trying to build stakeholder trust through small campaigns and experimentation. The answer would be, I would quit."
He emphasizes that playing it safe leads nowhere. "If you're in your little gated castle and you're like, 'It's cool, I'm just doing these LinkedIn posts once a week about product'—again, that's fine, but you're not going to win and you're not going to build a brand that stands the test of time."
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Mar 24, 2025
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Mar 2, 2025
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Feb 20, 2025
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Feb 17, 2025
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